Seriously, this has to be the worst Bond movie title, ever:
Producers have revealed some of the secrets about the latest James Bond film, due for release later this year, including the inner turmoil that drives its suave superagent hero and its title: “Quantum of Solace.”
As titles go, it’s not as mellifluous as “From Russia With Love” or “Goldfinger.” But Daniel Craig, returning as Bond after 2006’s “Casino Royale,” says he likes it.
“It has grown on me,” Craig told reporters on the film’s set at Pinewood Studios near London on Thursday. “It doesn’t trip off the tongue. But why should it?”
Yes, but who is going to understand what it means?
Where did the producers get it from? Well, believe it or not, it is an Ian Fleming story – here’s some background from Wikipedia:
“Quantum of Solace” is not a spy story and Bond appears only in the background. Told in the style of W Somerset Maugham, the tale has Bond attending a boring dinner party at the Government House in Nassau with a group of socialites he can’t stand.
Bond makes a remark after dinner when the other guests have left in order to stimulate conversation, about always having thought it would be nice to marry an air hostess. This solicits a careful reply from the elderly Governor of The Bahamas who tells 007 a sad tale about a relationship between a former civil servant he calls Philip Masters, stationed in Bermuda, and air hostess Rhoda Llewellyn. After meeting aboard a flight to London the two eventually married but after a time Rhoda became unhappy with her life as a housewife. She then began a long open affair with the eldest son of a rich Bermudan family. As a result Masters’ work deteriorated and he suffered a nervous breakdown. After recovering he was given a break from Bermuda by the governor and sent on an assignment to Washington to negotiate fishing rights with the US. At the same time the governor’s wife had a talk with Rhoda just as her affair ended. Masters returned a few months later and decided to end his marriage, although he and Rhoda continued to appear as a happy couple in public. Masters returned alone to the UK, leaving a penniless Rhoda stranded in Bermuda, an act which he’d been incapable of carrying out merely months earlier. But Masters never recovered emotionally, nor recaptured any spark of vitality. The governor goes on to tell Bond how after a time Rhoda married a rich Canadian and seems to be happy. When Bond remarks that she hardly deserved her good fortune, the governor says that Masters had always been rather weak, and that perhaps Fate chose Rhoda as its instrument to teach him a lesson. Bond deduces that the dinner companions whom he found so boring were Rhoda and her new husband, and he tells the governor she was much more interesting than he had thought.
While the story does not include action elements, as other Fleming tales do, it attempts to posit that Bond’s adventures pale in comparison with real life drama. Bond reflects that the lives of the people he passes somewhat superficial judgements upon can in fact hide poignant episodes.
It’s not a spy story, you say? Well, it is now!